Wednesday, April 14
Ask MetaFilter | Community Weblog: "Realizing that every writer is idiosyncratic, I'll tell you what I do while acknowledging that it may, in no way, offer assistance to you.
Like a shark, I keep moving. Two hours at the library. An hour at a coffee shop. An hour in my apartment. Two hours at night, sitting in a cushy chair at Barnes & Noble. And so on and so forth. It's rare that I work six hours straight, or in one single location all day. But at the end of the day, I'll have put 4 to 6 hours into my work. I try not to pressure myself into writing more than a page or two at any of my 'locations'. Stil, 3 to 4 daily pages add up. I find that, by constantly repositioning myself, I'm never anywhere long enough to get bored, distracted, or tempted to reward myself with a '15-minute break' that stretches on and on. Granted, I'm a sitcom writer, so I suppose it helps to approach any project with a bit of ADD, as the perpetuation of ADD is sort of the unintended result of the work upon the viewer, anyway.
Finally, remember to never beat yourself up. There's nothing you write that can't be rewritten tomorrow, so quit agonizing over the perfect phrase or finding just the right sentence. I fall into the camp that a first draft of anything is like a wrinkled shirt, nothing that can't be fixed (and ready to be shown) so long as you're willing to do enough ironing."
Like a shark, I keep moving. Two hours at the library. An hour at a coffee shop. An hour in my apartment. Two hours at night, sitting in a cushy chair at Barnes & Noble. And so on and so forth. It's rare that I work six hours straight, or in one single location all day. But at the end of the day, I'll have put 4 to 6 hours into my work. I try not to pressure myself into writing more than a page or two at any of my 'locations'. Stil, 3 to 4 daily pages add up. I find that, by constantly repositioning myself, I'm never anywhere long enough to get bored, distracted, or tempted to reward myself with a '15-minute break' that stretches on and on. Granted, I'm a sitcom writer, so I suppose it helps to approach any project with a bit of ADD, as the perpetuation of ADD is sort of the unintended result of the work upon the viewer, anyway.
Finally, remember to never beat yourself up. There's nothing you write that can't be rewritten tomorrow, so quit agonizing over the perfect phrase or finding just the right sentence. I fall into the camp that a first draft of anything is like a wrinkled shirt, nothing that can't be fixed (and ready to be shown) so long as you're willing to do enough ironing."
